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- Adobe Premiere Pro vs Apple’s Final Cut Pro X – it's a question asked by many who are looking to get started with video editing. Two of the best video editing software packages money can buy, both contain professional-grade video editing tools that are so powerful they’ve been used to edit big movie blockbusters.
- Adobe Premiere Pro CS4 software is the start-to-finish video production solution ideal for editors, filmmakers, cable and network broadcasters, event and corporate videographers, rich media creative professionals, and hobbyists. In this Adobe Premiere Pro CS4 video tutorial, you'll learn how to capture video from tape.
- Adobe Premiere Pro CS4 Adobe Premiere / Adobe Premiere PRO.
BEYOND being available for the Mac once more, the last version of Premiere Pro, Adobe's video editing software, was low on new features - so more than any other CS4 product, it's due for an upgrade. This is particularly so as it faces strong competition from Apple Final Cut Pro and Avid's Media Composer.
The new feature in Premiere Pro CS4 that has drawn the most attention is Speech Search, which is currently unique to Adobe’s tools (so will almost certainly appear in Final Cut Pro 7 and Media Composer 4). Speech Search scans dialogue within footage and transcribes the words to create a searchable list.
It contains no grammar or pauses and is largely unintelligible if you try to read it, but it provides a quick way to find parts of a long video clip (or a voiceover). If, for example, you want to find the part of an interview when the subject talked about the economy in the middle of an hour-long piece, you place your clip in the Source panel, open the Metadata window, type ‘economy’ into the search box, click on the highlighted word, and the scrubber will move to that point in your source.
You can search across multiple clips - another great timesaver - and the quality of the transcription is impressive. For English speakers, there are UK, US, Canadian and Australian language options. The British setting had little problem with regional accents, but was sometimes stumped by unclear diction.
Adobe has also attempted to make working with media on your computer easier by adding the Media Browser panel, which provides a Windows Explorer-style area split into directory tree and directory contents area.
For most media files, it’s just a less convenient version of the Mac OS X Finder or Windows Explorer – especially as you need to undock it to make it large enough to be usable – but for non-tape formats including AVCHD, P2, and XDCAM HD and EX, it lets you see their metadata and is actually useful.
While Speech Search is a useful tool, it’s the grand procession of under-the-hood and minor changes that will make the most different to many users. These range from support for more than one sequence type in a project - so you can access the same assets to create SD, HD and Web versions of a sequence - to the ability to apply effects to multiple clips at once, and capability to import PSDs with video and blend modes.
Despite the improvements, Premiere Pro just isn’t as quick to use as Final Cut Pro. On our eight-core Mac Pro, it seemed more sluggish and it lacks many of FCP’s efficiency boosters, such as visual insert options when you drag a trimmed clip to the main video window.
Premiere Pro has had the same interface overhaul as the rest of Creative Suite 4, but as many of the overall enhancements came from the video products, there’s less of a difference than with Photoshop or the print- and web-focused tools.
As before, Premiere Pro comes bundled with the OnLocation live capture tool and Encore for DVD creation. OnLocation CS4, which allows you to monitor and record from your DV or HDV camcorder to a laptop, has been released for the Mac for the first time and given an interface overhaul that places all of elements on a single screen - making it much easier to use.
However, it can’t support non-tape formats such as AVCHD and XDCAM. Encore CS4 can output projects as Flash movies, but unfortunately not as Flash projects. Premiere Pro also ships with the new Media Encoder, which is a standalone version of its encoding engine that can batch process and run in the background. https://oelg.over-blog.com/2021/02/os-x-default-admin-password.html.
Adobe has just launched the Premiere Pro CS4 4.0.1 update, which adds AAF import/export, Apple Final Cut Pro XML project import, and OMF export - and is also necessary to work with the Red format’s massive files.
Originally published asAdobe Premiere interface gets overhauled
Premiere Pro (PPRO) CS4 was released in October 2008. It comes bundled with Adobe Encore and Adobe On Location. It is also available as part of the Production Premium and Master Collection suites.
At the time of writing this review I've had PPRO CS4 for about 24 hours. So far everything is working fine and I'm basically happy.
PC used for this review: Windows Vista Ultimate SP1; Intel quad-core 2.83GHz; 4GB RAM.
Format Support
At last, native support for XDCAM, XDCAM EX, XDCAM HD, Panasonic P2 and AVCHD. Also 4K workflow and RED R3D.
AVCHD support will be a welcome relief for users of consumer-level camcorders, but remember that this is still not an edit-friendly codec. I found AVCHD files very sluggish and I had to render previews to play back properly. It wasn't too painful but I wouldn't want to work like this all the time. If you're going to be doing any intensive editing, there's a good chance you'll want to render your clips into a friendlier format, just like you had to do in CS3. For shorter clips and simple editing, working directly with AVCHD files worked well enough for me.
Timeline: Mixed Formats and Sequence Settings
Premiere Pro now supports different formats in the same timeline—something which other editors (e.g. Final Cut Pro, Sony Vegas) have been able to do for a while. I found that mixing formats does slow things down somewhat, as you'd expect. I've been mixing HDV with AVCHD and although normal editing goes okay, I couldn't get multicam sequences to playback at all when mixing formats.
You can also have different editing and rendering settings for each sequence. Macbooster 3 1 5 – maintains and optimizes your system. Settings that used to be global for the whole project can now be applied separately by sequence, which is a great improvement.
Media Encoder
The media encoder is now more of a separate application. When you export media from Premiere, Media Encoder opens with the requested export task automatically added to the batch queue. At least that's the theory—I discovered that I need to open Media Encoder first or else nothing happens.
Anyway, this is a better approach than previous versions which always felt a bit ad-hoc to me. I prefer having all my export options and tasks in one place. It's easier to manage and it works well in the background.
More Flash
As expected, integration with Adobe Flash continues to improve. Examples: Cue points are included for Flash video (FLV/F4V), Encore outputs SWF files.
Encore
The option to create SWF versions of DVDs is fantastic. It worked like a charm for me—with only a few button clicks I exported an existing DVD project into a perfect little Flash replica ready for the web (complete with HTML). Other goodies include better Blu-ray titles and popup menus, Firewire output for an external monitor, and better dynamic linking with other applications.
On Location
This separate recording application has been better integrated to fit the CS workspace. Not much in the way of new features but it's definitely a good step in the right direction. It feels like part of the team now. This version includes native Mac support.
Other Stuff
- New Media Browser allows better access to files on various drives.
- Import individual sequences.
- Apply settings to multiple clips, e.g. audio gain, speed/duration, effects.
- Apply default transition to all clips in a selection. Also copy & paste transitions.
- Remove all effects from one or more clips with a single command.
- Better trimming options in the project manager. Also better preview file management.
- Improved metadata.
- Better support for sequence markers and Encore chapters.
- Better photoshop import/export, including layer preview.
Annoyances
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- Software manufacturers seldom seem to be able to go long without changing the way a help system works. With CS4 we're back to browser-based help, but it's entirely online, which is probably fine when it works. So far I haven't been able to connect to the help files from within Premiere so I was forced to figure out the URL myself and add it to my bookmarks instead. What a shambles.
- Resource Central is apparently a good way to acquire additional effects, templates, tutorials and other goodies. I can't say for sure though because mine has yet to make a successful connection to the server.
- Still no support for scene detect with HD or HDV! Aaargh, how long must we suffer this??
Summary
I've heard grumblings from Premiere users about this being an underwhelming release. In some ways that's true—there aren't many new bells & whistles here. To be honest it would have been nice to see a few additions such as new filters and transitions (the effects palette has been looking pretty samey for quite a while now). However it's not all about eye candy. Premiere Pro CS4 includes numerous significant improvements that will be very welcome for serious editors. Most improvements are where it matters: Creating a more stable, efficient workflow. For example, I would much rather have the ability to add multiple transitions simultaneously than have a handful of new transitions I'd seldom use.
I like this upgrade, it does feel better and more efficient. Format support and flexibility are coming of age. This release closes the gap between PPRO and Final Cut, and PPRO arguably comes out better in many ways—especially when you factor in dynamic linking with Adobe's other powerhouse applications such as After Effects, Photoshop and Flash.
If you're happy with the way CS3 is working for you and you're wondering if the upgrade is worth it, I'd say it's 50/50. But if you do a lot of editing and you think the features listed above will help your workflow, then now's definitely the time to get out the wallet!
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Adobe Premiere Pro Cs4 Crack
Author: Dave Owen, Originally published: 2008-10-17